#Qlab ipad plus
One major plus for SCS is its ability to program in hotkeys for different sounds.
#Qlab ipad software
Show Control System (SCS) is a Windows Only sound playback software which offers a similar but different set of features. Although other programs may be able to do this, it can be a hassle to set up. To link cues you set up OSC on the Light Board, connect a network cable between the two devices, and label cue numbers the same for cues you want fired together. You normally need to worry about board ops hitting GO at slightly different times creating an awkward flash before the boom or vise-versa. Running an ETC Light Board with Qlab allows cues to be linked easily.Īs an example, imagine that an explosion must happen on stage. One of my favorite Qlab features is its network and OSC capabilities. I believe this all in one package about evens out the cost of the program, especially over time. You don’t need a separate DAW software unless major cue changes are necessary. It has become the industry standard for most small theaters for a reason. I have used Qlab for years, and I continue going back to it as my software of choice.
#Qlab ipad license
Qlab is worth every penny, and with the perpetual license you only need to purchase the software once. The license cost for version 5 was recently raised and is a bit on the expensive side now. Paid Sound Playback Software Qlab – Paid Version ($499 One Time Purchase) I personally haven’t used the software, but have heard good things.
#Qlab ipad Pc
Multiplay is a PC only software which has pretty decent features and is currently in the process of being updated again, with beta for version 3 out now. Sadly I don’t believe it will receive any further updates, so it has moved down my list for longevity reasons. This software is PC only and was last updated in 2020. I experienced one crash, but the computer was about 12 years old and on its last legs anyways. I have used this software on a few smaller shows, and it has worked fine. This system is another decent free option for anyone who needs only basic sound control. It has a Show Mode which limits outside sounds, notifications, and anything else that can accidentally mess up a performance. If you plan to use a Mac, this should be your go-to option. The paid version gets you 64 outputs, network cues, and a bunch of other features, but for most small venues with only a couple speakers the free version will work just fine. The free version only allows 2 output channels. The app allows for remote viewing and cue triggering which allows the sound tech to step away from the board for a moment, or for the designer to view cue numbers as they happen. There is also an app which pairs with the program called Qlab Remote. I have never had a problem with the program freezing, or crashing. It is extremely reliable, updated constantly, and very user friendly. Qlab is my all time favorite sound playback software, though it is Mac only. I would only use these free options in small non-professional theaters.
I will start with the free options, but I will warn you that often you get what you pay for (or don’t pay for). With each of these in mind, I will run through the list of well known programs to use. Some considerations for anyone using sound control software on stage are: Reliability, Technical Support (especially during times when performances will actually be happening), Ease of Use, Programming Features and FX, Customization, and inclusion of a Show Mode to limit accidental system sounds. Other software may crash, or allow unwanted sounds through. When you need software for audio playback in live entertainment, it’s important to choose a program which is meant for that. Choosing the right sound control software can make the difference between a tacky show and a great show.
0 kommentar(er)
